[Categories: OAVs, Movies and Full Series]

30 Aug 2007

Hitsuji No Uta (Lament of the Lamb) OAV

Kei Toume’s manga series is one of the finest pieces of vampire fiction I’ve ever seen - it examines the emotional fallout from the affliction in detail, from the vampire’s perspective in a similar way that Anne Rice did with Interview with the Vampire; it also takes place in a modern setting, which adds some realism and makes the vampire’s situation a little easier to relate to. There’s no sign of Kiefer Sutherland or that kid from The Goonies though, sadly.

The character-driven story of Lament of the Lamb wouldn’t be my first choice for an OAV (a live-action movie would be marginally more appropriate, although I’d still have my reservations) since it is so heavily reliant on dialogue - there are plenty of flashback scenes but they worked fine as still frames on a page. Since OAVs are often made to promote the manga (that means you, Appleseed), there wasn’t much artistic reason for this series in the first place. Being the curious fan and Madhouse fanboy that I am, I decided to give it a fair chance anyway.

Kazuna and Yaegashi in art club

The plotline, that of Kazuna Takashiro falling ill with periodic attacks of blood-lust and discovering that he has a long-lost sister with the same disease, was never going to condense from seven volumes to four episodes without some finer points being left in the background or being left out altogether. All things considered, the editing didn’t play merry hell with the continuity nearly as much as I feared: Toume’s excellent character designs also translate pretty well onto the screen with incidentals and supporting characters stepping back to allow for attention to focus on the core themes. Chizuna ends up being at the centre, moreso than Yaegashi, the Edas and even Kazuna. She comes across as more vulnerable although her outward shows of emotional strength are downplayed and her plight takes centre stage. But then, I’m always fascinated by the tragic type of girl anyway. :p

The tragic Chizuna

The palette could have been hampered by the encoding/format of the file types I was watching but the colours seemed pretty lacklustre and washed-out; after reading through a b/w manga series, I was hoping for a bit more colour,especially when some shots had the potential to be quite beautiful. I’m guessing the low-key colour scheme was intentional and intended to draw attention to the depiction of blood and so on but it left me thinking “Is this really an OAV?” since it seemed to be so reluctant to impress.

In order to keep things lively it was decided to include the ‘horror’ aspect in addition to the characterisation. While I’m not a big horror fan (I actually dislike the term, but more of that another time) I can understand why this was done; it is a vampire tale of sorts, after all. Unfortunately, scenes featuring bouts of terror and bucketloads of teenage angst require a very deft directorial hand to prevent, at least, the results being toothless (pun intended) and at worst laughable. Fortunately this does not fall into the latter camp but still didn’t exert any effect on me at all.

An unusually pleasant background pic

What saves the OAV is that of the soundtrack. The end theme is a stunning ballad sung by the two leading seiyuus as a duet; the incidental BGM must have been a tough choice but the sparse industrial score fills the gaps and isn’t too overbearing. It’s not often I draw attention to the VAs but in this case they’re worth the extra mention: Megumi Hayashibara and Tomokazu Seki are, even to my untrained ears, superb in conveying the subtleties of their characters. Even the supporting cast, limited though it is, are of an enviable calibre - the vocal talent can make or break a production such as this.

Family issues

Despite its plus points, this is still a very forgettable series that may have been better suited to live action or longer running time to allow for interesting side- and back-stories to make the viewing experience more rewarding. The story is a slow-burner than makes great use of relaxed pacing to give ample chance to get to know and empathise with the characters - after all, not much else is going on. Condensing a story of that type is a risky business, even moreso when moments of fear and anguish are so hard to portray effectively onscreen. Tune in for the VA performances by all means, but if the premise intrigues you I’d strongly recommend the manga instead.

11 Replies

  1. hashihime

    Thanks for doing a piece on this OVA. I haven’t seen it for a while, but when I watched it, I immediately put it in my top ten. The story is great, it was very well adapted, the characters are conveyed vividly, the voice-acting is superb. I don’t like “horror,” either, but this worked for me.

  2. maglor

    I agree with what is written here. I like to add that I heavily favor manga’s ending over this OVA’s ending, and the Ending Duet probably captured the essence of the manga better than the all the visual images of the OVA combined together.

  3. CitizenGeek

    I bought the first volume of this from Tokyopop and though I enjoyed it, I never felt compelled to get the rest of the series. This OAV looks great, though!

  4. snog

    Thinly veiled Obvious incest parable with no real message. Paper thin characters who just-do-stuff-because, and the WORST BGM EVER. Every two minutes the same “suspenseful” music drops in out of nowhere to indicate how emo you should be feeling over some character doing the same thing they’ve done TEN TIMES ALREADY! Poorly directed. Crap animation for an OVA.

    This ova was instantly deleted after viewing. I save everything. I’ve only ever deleted one other ova.

    I hope the manga was great because the ova was shite.

  5. snog

    Fucking crap. Remember to add a / to you end tags kiddies.

  6. Hige

    I’ve not heard about the manga or this OAV, but that image of the bridge/river reminded me a whole bumload of FLCL. :3

  7. ConcreteBadger

    Other people have actually seen/read this? Cool!

    @Hashihime: I agree that the voice acting was superb. It means a lot when someone such as yourself, who actually knows stuff about such things, agrees. :) Sadly I still think the OAV was underwhelming compared with the manga.

    @Maglor: Thanks! I still love that end theme. The manga ending carried on after the final scene, which probably dispells any ‘what happened next?’ speculation. It feels more complete that way, at least.

    @Cititzengeek: the manga’s a slow burner. Continue by all means (I still think it’s better than the OAV) but it does require quite a bit of patience!

    @Snog: er, ok. Congrats on discovering the ’strikethough’ tag though.

    @Hige: That pic was chosen for visual prettiness. The series is as different from FLCL as night is to day. Sorry. :(

  8. snog

    Don’t be an ass. Fix it.

  9. ConcreteBadger

    @Snog: If you think I was being an ass you took what I said the wrong way - a mere misunderstanding. Apologies for any offence. BTW, I edited the tag so your earlier comment looks how it was intended to. It’s an easy mistake to make but fortunately wasn’t much hassle to fix. It wasn’t my fault that you typed it wrong in the first place so maybe I’m not being an ass after all…?

  10. Sasa

    I remember watching the OVA long before I read the manga - and I turned it off after ten minutes because the animation was so incredibly bad. Lots of still scenes, re-used cels, ugh. Or is there another adaption of this series? I think not.

    Anyways, I loved the manga, which is Kei Toume’s best series so far in my book. Beautifully drawn, thoughtful with strong characters - I wonder if the anime conveys this. So maybe I should pick up the anime again?

  11. ConcreteBadger

    @Sasa: If you didn’t like the visuals of the anime, I can’t really recommend the rest of it. I watched it to see it through to the end but for the most part was quite bored! It doesn’t offer any new plot points either - the voice acting’s fantastic and the soundtrack’s pretty good but I’d choose the manga over the anime every time.


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