Control (feature film)
Anton Corbijn is a logical choice perhaps as the director for a music biopic: he has an extensive CV both as a photographer and film maker in the company of rock and pop artists, not to mention having first-hand experience with working alongside Joy Division, the earlier incarnation of the band that would later be known as New Order. His style makes an interesting transition to Control, an unavoidably gritty and ultimately tragic adaptation of Touching from a Distance, the story of Joy Division’s frontman Ian Curtis told from the point of view of his wife Deborah. It charts their first meeting as teenagers and follows Curtis’ tragically short life as a young husband and father, then vocalist of an upcoming band through to his eventual suicide from a combination of illness and personal demons; most importantly it is keen to portray Curtis the man rather than Curtis the rock icon.
